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Quadraphonic Interview: The Hue of Two
An interview with one of the most innovative local bands around. Find out about their marathon recording sessions, their upcoming album, and their future plans for world domination.

by Blake Cooper

We haven't even started the interview, and already The Hue of Two's Holly Hue has a request.

“Let’s not let Dan say anything, okay?”

In the corner, by the entrance to the girl’s bathroom (we’re doing the interview in a pretty high traffic area of the Bug Jar. The whole time people are trying to squeeze by to


The Hue of Two pose for a picture in a really inconvenient spot at the Bug Jar.
get to the bathroom, or to step out for air, but it was either that or out in the cold), Dan Danger (guitarist/vocals) just smiles. Holly, who plays keys as well as sings for The Hue, is by far the most talkative, and the most serious of the group. But that doesn’t stop her from joking with us every once in awhile. In fact, the whole band seems to be in a pretty joking mood, which is fine with us. All in all, they seem pretty damn Zen for a band that, in just a short while, will be blowing the roof off the small colorful bar in the middle of sunny Rochester, NY.

I. The Interview (part one)

Quadraphonic: When did you guys form in the current lineup? Holly: We’ve been together in this form since spring of last year, so spring of 2004. We’ve had a few other lineups, but this is it. This is the final lineup.

Q: So if anything happens to this lineup, you’re done?
Holly: Yeah, this is it. Dan: Honestly, it wouldn’t be worth it to replace any members of the current lineup. We know all the parts, and there’s good chemistry, so it really wouldn’t make any sense.

Q: So, let’s talk about the new recordings. How are they coming? Holly: We actually just finished up. We were recording down at Bradwell House in New Jersey.

Q: How was that?
Holly: It was crazy. I think we recorded, like, twenty five hours in a thirty two hour session. It was pretty intense.

Q: But you guys had fun?
Holly: Oh yeah, it was a blast. Actually, Well… [looks around to other band members] should I tell them? [shrugs from band members, who either don‘t know what she‘s talking about or don‘t care] We get there, are we’re getting ready to go… and the toilet clogs! We’ve got the guys that are supposed to be doing the drum tech work trying to unclog it, and we were like, ‘c’mon, let’s just get going,’ but they couldn’t, because they had to fix the toilet.

Q: About the new album: you guys have a history of DIY artwork in the past (the EP, ‘Doctor Doctor This City’s Sick,’ came in a homemade booklet made to look like a doctor’s file). Do you guys plan on doing this for the new record?
Dan: With the first cd, regardless of how much work we put into it and how proud of the packaging we were, the people who bought it reallly really love it, but some magazines and labels and whatnot still only took it as a demo because it was still a cdr in handmade packaging. And when we release the next cd, were looking to get it pressed professionally in large numbers, but with still a unique packaging style. It'll prolly be in a silkscreened cardboard booklet with interesting artwork and something unique about it, but something that can be quote unquote 'mass produced' to save the wear and tear on our hands. But when and if we do this record on vinyl, which we all hope will happen, the packaging on that will be handmade almost entirely by the band itself. How? We're not sure, but itll be equally as impressive as the 'doctor doctor' EP because itll be pressed in smaller numbers and something we can be a bit more hands on with (theres no way we could make 1000 cloth booklets again without wanting to blow our brains out). The records will be for fans and people who want a piece of music and art, and thats what our intention will be with them, to create something that really catches peoples eyes as well as their ears.

II. The Show

Without a doubt, The Hue of Two’s performance is a sudden change of pace for the mixed crowd at the Bug Jar (most are here for the show, but there’s also quite a few willing to pay the five dollar cover charge just to sit around and drink Rolling Rock all night). Proud Simon kicked off the show with a unique (and pretty cool) indie/alt-country set, followed by a semi-solo performance


The Hue finds a serene moment amid the chaos.
from Will Veeder (of the Rochester band Hinkley), an equally laid back experience. The Hue would be followed by Aloha, an experimental rock group that prides itself in being “one quarter from Rochester.”

But The Hue is in another category entirely. They start off like any band does: tuning equipment, making sure

everything works, begging other bands for cables, etc. But when the lights go down, something happens. The people we had known have changed. They are now something different, something obvious. Something caustic. There is no secret to their music. It is not masked in effects and channeled through filters, but instead it’s right up there, out in the open for everyone to see. And their music is bigger than the stage itself. It seems to burst out, and they play it as if it were an unwanted substance, a virus in their bodies that the need to get out…fast.

Eventually the music takes over. Holly abandons her Korg to move around the stage--to sing, to dance… whatever--and the whole band seems to fall into place. In between the songs, amusing anecdotes include a story about the muffler falling out of their van, and stories about their recording sessions. They announce a new song, one they’ve never played live before, called “Knife In a Clockfight.” As they play, it sounds like battling instruments; deranged counterpoint over a smooth rhythm section that somehow makes sense. This is how their music works. When they’re done, just as we suspected, they are transformed into normal people again. The lights go on, they walk off stage, and their lives continue.

III. The Interview (part two)

Q: What kind of daily commitments do you guys have to give up to make The Hue work?
Holly: Well right now we’re all in school, but that’s about it. I had a job, but I gave it up, because this is just more fun.
Dan: I have no life. Basically, I get up, maybe eat breakfast, and then sit around and wait for band practice. After that, I just go home and maybe work on some design stuff until I feel like sleep [Editor’s Note: for a taste of some of Dan’s work, check out
danieldanger.cjb.net]

Q: Dan, what’s the story with your solo project, The Lost Child Sound? Have you done anymore with that?
Dan: I have, like, 80,000 songs for TLCS, but the chances of them getting out right now is slim. Mainly I want to concentrate on The Hue.

Q: So what’s in the future for the Hue of Two?
Scott: Banging hoes, going on world tours, playing stadiums… Holly: Well, we’re going to finish the album, and once all that’s done, we’re probably going to take a break. We’re not breaking up or anything. We’ll probably end up setting up a small tour every couple months or something to keep it going.

Q: Okay guys, have a great show.

Blake Cooper is the managing editor of Quadraphonic Magazine, as well as a contributing writer. He is planning to attend Harris Institue for the Arts starting March 2005 for Music Engineering and Production. His latest music purchase was a copy of Al Martino's Spanish Eyes 45" for 29 cents.

Copyright (C) 2005 Quadraphonic.